Tag Archives: iron maiden

Week 2, 2015: Scott, Denmark

Scott record collection1What made you start collecting records?
I am not really sure exactly but when I was in High School in New Mexico, I had a group of friends that were all really into music and we had a fantastic store called Merlin’s Record Workshop. They stocked all the coolest music and had a small bathroom with a box of bootleg vinyls and that is where I started collecting Pink Floyd boots. Anyway, Gilbert, John and I were regulars in this store and we just got hooked. I was working at a pizza place and every other week when we got paid we would go buy records! In 1980, Doug, who took over Merlin’s Record workshop started to stock the NWOBHW singles from Neat, EMI, etc.. and we were totally hooked then.

Do you remember your first purchase?
The first record that I bought with my own money was Aerosmith’s debut album. Soon after I also bought the ELP-Brain Salad Surgery 7” at K-Mart as I loved the cover. I had a few records already from my dad at that time like Chuck Berry Golden Decade Vol 1 and 2, Creedence Clearwater Revivial- Greatest hits, Jerry Reid, Johnny Cash-Live at San Quentin..

darkside2What sort of music do you mainly focus on?
In the 80s I collected Pink Floyd and heavy metal records when I ran the fanzine Metal Madness but today I am mostly collecting space and psychedelic Rock albums.  I don’t buy heavy metal records anymore.

How do you discover new music?
I still read a lot about music and review music for my music blog (http://writingaboutmusic.blogspot.com) . I have a subscription to Classic Rock magazine for the last many years. The Obelisk (http://theobelisk.net) is a great music site where I also learn about a lot of new bands. I also go to a lot of music festivals (Roadburn, Sweden Rock, Heavy Days in Doomtown, Freak Valley, etc.. where I learn about new bands..

gas giant we2Where do you prefer to buy your records?
These days I almost only buy records on the internet. We have some pretty cool record stores in Copenhagen like Rock Uglen, Route 66, Skoven Kalder, Insula Music, etc.. but you can still get Danish records cheaper from Germany than buying them in the store here, which is a bit sad…  Kozmik Artifactz and Sapphire Records in Germany are two mail orders I use a lot.

For a long time, you have been heavily involved in the Scandinavian underground music scene. How did everything start out?
I did a lot of tape trading when I lived in the USA and people like Chris Snow in Idaho and Chuck Wax in Michigan turned me onto a lot of bands from Denmark and Sweden before I moved to Copenhagen in 1997.  I was also writing for Aural Innovations in the USA and doing interviews and record reviews.. This connected me with other underground places like the Freak Emporium and the Delerium record label, which then connected me with Chrohinga Well… I also had a subscription to Ptolamaic Terrascope Magazine since the early days and they were into these sort of bands. The real push came when I went to the Space and Rock Festival in Jonkoping, Sweden in Summer of 1998 and I met and saw Dark Sun (Finland), The Spacious Mind (Sweden), Pseudo Sun (Sweden), Darxtar (Sweden) and became friends (and still am) with all those bands.. In Denmark, I met Ralph Reijly (RIP) and he was managing and working with the bands On Trial and Gas Giant here in Denmark and I became good friends with all of those people and helped them out in many ways and played and managed Gas Giant from 2001-2004.. This gave me a strong connection to the Danish scene.

gas giant-WE1As a long-timed member, you’ve played live many times with ORESUND SPACE COLLECTIVE. Any particularly great memories from certain gigs?
We have had quite a few really cool and memorable gigs.. Playing the Burg Herzberg Festival in July 2014 was an amazing experience as there were 2000 people or something and they were totally into it and we played great. The gigs at the Psychedelic Network at Café Cairo in Würzburg set up by our friend Horst… We also played quite a few really memorable shows at our local underground club called Dragens Hule, which sadly is not around anymore.. A show with Damo Suzuki of CAN, a mushroom tea evening where the audience and the band were flying… and many more gigs..

You also run a record label, called Space Rock Productions. Could you tell us more about it?
Yes… I had another label with Ralph, Henrik and Lars from about 1999-2004 called Burnt Hippie Recordings and we released some cool bands like On Trial, Dark Sun, Gas Giant, Korai Öröm but we went under.. Space Rock Productions was originally created to release the music of the Univerzals (Nick Hill’s band) and Øresund Space Collective.  We have been expanding but still sticking with cool space rock bands from Scandinavia like Black Moon Circle, Deep Space Destructors, Tuliterä, and Third Ear Experience from California! The focus is space rock as the name implies.

IM singlesIn the 80’s you ran the heavy metal fanzine “Metal Madness”. Denmark had it’s fair share of great heavy metal bands in the 80’s (MERCYFUL FATE, WASTED, MALTESE FALCON, ARTILLERY etc.) Did you ever play in a heavy metal band? And if so, when did you realize you wanted to musically explore the field of space rock?
I had a blast putting out Metal Madness from 1984-1988 (12 issues) and I had some contact with a few of the underground Danish bands, Evil, Maltese Falcon and Artillery. I never played in a HM metal band but did manage one back in 1984 called Max Trixxie. IT was a bunch of young guys and we had a good time but due to internal conflicts the band only lasted about a year but they worked up a big enough following to make a demo and played a big concert opening for Lita Ford. She was a cool lady…

Scott record collection3Name three records that are special to you, and tell us the story of how you got hold of them.

Iron Maiden- Soundhouse Tapes
When I got the Running Free 7” in 1980, I was really into Iron Maiden. A few months later the debut album was released. I collected up all the singles through the mid 80s but in 1981 I read about the Soundhouse tapes and it was like the holy grail of Iron Maiden singles (Still is!) and one of my penpals (Deb Johnson, I think) found me a copy and sent it to me and then another penpal of mine also sent me one so for a while I had two copies! Stupidly, I sold one copy in the mid-80s for about 50 dollars…  Anyway, this still means a lot to me..

Gas Giant/WE- Riding the Redhorse to the Last Stronghold of the Freaks
This is a very special record for me as it was the first record that I ever played on, it is two of my favorite bands from Denmark and Norway and we released it on our own record label, Burnt Hippie recordings. IT was pressed in 500 copies with a cool insert and fold out sleeve. The cover was done by Henrik (Hobitten) from On Trial. I still think this is some of the best music that either band ever produced. This was never released in a digital format.

Pink Floyd- Dark Side of the Moon
In the 70s, I had only heard the radio songs by Pink Floyd but from Merlin’s Record Workshop, I got turned onto all their records and I would say until I discovered Motorhead, Pink Floyd was my favorite band for a time. I actively collected everything thing I could afford and this includes owning 8 copies of Dark side of the Moon. Quadraphonic, two different picture discs, one of which is very rare and only came in a special box set, the UK pressing, the US pressing, Dutch white vinyl, the mobile fidelity release, which was the best sound quality of all of them…  Plus it came with these postcard stickers, and two amazing posters… Still love the record.

soundhouseAnd finally: What do you see in the future of record collecting?
Well, I think the future looks bright. The older records as like collecting stamps, they will continue to be rare and people will still want them. I think in the next few years a new technology for making records will appear and this will close the bottleneck in production and a lot more records will get out there. I think as long as you keep buying the records produced in 300 or 500 copies, these will be rare and valuable in 10-20 years…… music lasts forever, when it is on a vinyl… the digital files can disappear but you can always find a magical record in a box somewhere that has a history, a special meaning…. It will continue to be fun and exciting…and also expensive…

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Week 1, 2015: Danny, Ireland

dannyWhat made you start collecting records?
My initial exposure to vinyl came through my mother’s collection, which she amassed through her youth in the late ‘60s and ‘70s. Her favourite band was Queen and she bought albums or singles as they were released largely by mail order. The first vinyl I consciously remember hearing at home was her “War of the Worlds” DLP while following the story through the booklet as well as continually staring at the fantastic artwork on the gatefold sleeve! I was really besotted with the sound, feel and presentation.

Sometime later, she also introduced me to Alice Cooper “Alice Goes To Hell” and “Welcome To My Nightmare” LPs both of which combined that sense of narrative with creepy rocking music. All three records were essentially on permanent loan to me by the time I had my first record player around the age of 15 years old and remain in my collection today even though she is still alive!

dturntableDo you remember your first purchase?
Growing up in the ‘80s and ‘90s, cassette was the format of choice. I began borrowing original copies from my older cousins and friends from school to feed my craving for more heavy music. My first purchase was Metallica “…And Justice For All”. Over the next twelve months, I continued buying original, albeit often second hand copies, of cassettes from friends. Iron Maiden, Motorhead and Slayer. I was reluctant to waste money on CDs as they tended to cost another 50% more than brand new original cassettes and without a part-time job in my early teens itcould have easily been a month between buying albums unless somebody else was culling their collection.

But it did mean that there was time to really absorb the music of each and every one. You know, playing them repeatedly on an old twin cassette deck by day as well as on a personal stereo when going to sleep at night for weeks and weeks at a time…Even without my own turntable, I began browsing the vinyl stands in a local independent record store that had been recently recommended to me. I was stunned at how much was available, boxes and boxes of second-hand titles in mint condition, the same price or often cheaper than the cassette albums I had been buying.

Comparing the detail of the artwork against small cassettes sleeves, large inserts with lyrics and my memories of those earlier experiences with the format, I thought it was time to take the plunge. Sepultura “Beneath The Remains” LP! Shortly thereafter, I was speaking to my cousin’s friend while waiting on the bus home from school. He told me he had two copies of Metallica “Garage Days Re-revisted” 12” so I promptly agreed to call round to buy that spare. As I gradually amassed more and more vinyl as my preferred medium for music my parents bought me a turntable for my bedroom…

How long have you been collecting?
Over twenty years now. My parents were genuinely surprised when I started buying LP’s just as they were making the transition to CD’s. They were even more surprised when I started ordering new albums in the post from overseas like my mother had done twenty years before me. Anyway, this pattern has continued throughout my twenties and thirties, as well as raiding local independent music shops, record fairs and mail order lists as often and as thoroughly as I could…

hawkwind

What sort of music do you mainly focus on?
My focus has always been based on Hard Rock and Heavy Metal although I have continuously had an experimental streak too. Back in my teens, whether we were buying albums locally or by mail my friends and I agreed to purchase different albums so that we could compare and share by way of blank C90 audio cassettes! Those albums that thoroughly impressed would obviously need to be bought as a personal copy further down the line. But again, it did make the most of our limited budgets. In this way, I took a punt on strange gems such as Paul Chain “Alkahest” LP or Ved Buens Ende “Written In Waters” DLP. Back then, the majority of my burgeoning vinyl stack would have been built around Black Sabbath, Judas Priest and Venom LPs. You know, the classics. But there are always gaps though from that ‘70s and ‘80s period. In the past two or three years, I have made more of an effort tofill them in and was very pleased to source some of the old Atomkraft, Deathwish, Legend (Jersey), Raven, Satan, Tank and Warfare LPs I needed. For older original pressings, my difficulty is that there are not enough independent music stores still standing or regular record fairs locally. Sometimes whenever people have given up on the format and sell their whole collection, you can strike gold. Quite sporadic really because I prefer not to deal with unknown overseas sellers to avoid disappointment either in an inaccurate assessment of the vinyl or poor packaging for an item that cannot be replaced…

Original versions aside, my remaining efforts would be divided between sourcing new pressings for my personal collection and my mailorder. There is a certain overlap between the two although I know that not everything I like will sell. In the past few months, this has leant more towards stranger Dark Prog, Psych, Kraut and Space Rock by way of the back catalogues of Black Widow, Kommun2, and Sulatron. Some labels you can just trust as purveyors of good taste!

How do you discover new music?
My patterns have not really changed. It still comes down to word of mouth, reading zines or online blogs and scouring mail order lists for appealing descriptions. Gigs and festivals too. Of course it is now possible to stream so much music online although I rarely allow myself more than one song as a teaser. For me, an album should be experienced from start to finish on my stereo!

Where do you prefer to buy your records?
I prefer to buy albums in person at stores and fairs. But as previously explained, my collection would be infinitely diminished if it were not for mail order services and who can resist the excitement of 12” by 12” packages delivered to the front door?

paul chain collection

How is the Irish scene these days compared to the time you got into it?
In the early to mid ‘90s, I was too poor to travel to gigs in Belfast or Dublin. By the time I had my first job in ’97, there were no local gigs to speak of. The Troubles were raging on and foreign bands were too nervous to come here. But as I began to make contact with Irish underground bands by writing letters I discovered that there were smaller underground gigs scattered north and south if willing to travel. In April ’98, I helped Waylander run a bus from Portadown to an unlikely all-day event in the Folkhouse in Abbeyleix. Some seven or eight bands were on the bill and I still have the poster we used to encourage people to book a seat on it. Many of the friendships I made that day connected me to the heart of the underground and those faces remain active to the day as bands, promoters, distributors and labels.

From that point on, I travelled to as many gigs as I could and bought demos or albums available at them. The home-grown bands generally leant towards Death Metal although the lesser-known Graveyard Dirt, Thy Sinister Bloom, Arcane Sun and Scald forged a sound of their own. In the next couple of years, bands began to start travelling here again. Solstice,Waylander and Warning on the “New Dark Age” tour were all phenomenal. Cathedral hit the Rosetta Bar in Belfast a matter of weeks later and Anathema in the following spring. The same bills went to Dublin too although as a considerably larger city it would also have drawn larger bands such as Morbid Angel. Dublin always had more appetite for extreme sounds whereas Belfast has to this day more of a preference for Hard Rock.

There was a great network of records fairs around the country during that same period as well as a few independent shops in every town. Between Bangor and Belfast, I had more than enough opportunity to blow all of my pennies on old and new records. It is perhaps what I miss most from that era because of the range of titles concentrated in single shops or halls and at very affordable prices too. There was so much that was new or unfamiliar and it paid to take risks on covers that promised good music. By the guts of ten years ago, much of that infrastructure began to crumble and it was obvious how much less vinyl was circulating here hence the need to begin turning to overseas sellers for older titles. That lack of availability had a detrimental impact on the number of them I continued buying so the balance gradually shifted to newer albums or re-releases of classics almost all of which would have been sourced in England, France, Italy and Germany.

Any special relationship to Irish heroes Thin Lizzy? (one of my fave bands!)
Hmm, they were not one of my big bands when growing up and I still feel that many of my international friends love them more than me! Perhaps if I were ten years older it would have been different. “Vagabonds of the Western World” remains my favourite album and I would have loved seeing them on tour way back then. It’s always a blast when Slough Feg or Argus covers the band on their Irish tours too. From a local perspective, the Horslips possibly made as much of an impression on me because I loved that blend of traditional music and mythology with Hard Rock! Anybody out there still listen to “The Tain” or “The Book of Invasions” LPs?

paul chain test pressing

Name three records that are special to you, and tell us the story of how you got hold of them.
Looking back at my teens, I was knocked for six by a song called “Master of the Universe” by Hawkwind. I knew nothing of the band and had heard none of my friends enthusing about the music. So began my personal journey to hear more. Whilst their ’70s albums particularly struck a chord, it was the “Space Ritual” Volumes 1 & 2 that remain firm favourites. I bought the second vinyl first in a very small local record store in Bangor. I loved the colours, the artwork and the way the gatefold spine was at the bottom rather than the side. More importantly, the music was so damned raw, heavy and spaced out. It was years later before I found the companion DLP and cannot remember exactly where I purchased it. But as it was already part of my collection when I moved to my first house in Belfast, it must have been from a record fair or independent store thereabouts. Again, killer artwork, which was made all the more special by some very strange ink drawings on the inner sleeve. They must have been tripped out visions of the music and I have spent as much time lying on the carpet staring at them as I have the actual gatefold sleeve. Hawkwind’s performance here possibly edges it for me.

It is almost impossible to highlight the most special Paul Chain vinyl in my collection. My love affair began with the “Alkahest” LP, which I purchased directly from Rise Above when they ran a genuinely eclectic and affordable mail order. Thanks to a tip from a friend, I bought the “Ash” MLP (yellow logo with black vinyl) from I cannot remember where. By then, my thirst for Paul Chain was insatiable. I began blindly hunting for any other titles because without making a purchase I could not hear the songs. Do bear in mind the LPs were rare and the CDs often rarer still. Through Black Widow, I sourced quite a few more originals such as “Detaching From Satan” MLP and “Highway to Hell” Picture Disc. When I bought in bulk from Quasar Records at the time their shop was closing, they included a surprise signed test pressing of “Whited Sepulchres” LP! The remaining albums and singles were generally sourced from private collectors in Italy. The “Opera Decima” 3LP boxed set and “Violet Art of Improvisation” DLP in particular took quite some time. However, the “King of the Dream” 12″ with Sabotage on the reverse possibly provided the most elation because it was the very last one I needed and the building atmosphere on that song, the very first time I dropped the needle, reaffirmed the genius of Paul Chain and his cohorts throughout the collective’s many guises. Sanctis Ghoram RIP! As an aside, I am genuinely pleased that so much of the back catalogue has since been rereleased at affordable prices so anybody with a passing interest can now listen to Paul Chain. It is perhaps a pity though that so many came at once after being long out of print because it takes time to absorb and the demand seems to have been somewhat overestimated by labels. Very much a sign of the times. Not sure I understand the merit of expanding “Alkahest” to a DLP to mirror the CD edition with almost a fourth side of silence for the short hidden track. Or the artificial construct of “Vivid Eyes in the Dark” LP from the “Relative Tapes” boxed set. If anything, surely it should have been part of a bigger vinyl boxed set than the way it was presented without any explanation? But with Paul Chain no longer involved, of his volition, it should not be that surprising these imperfections have crept into being.

Lastly, it has to be Revelation “Salvation’s Answer” LP. As teenagers, a friend and I took a punt on a couple of albums from our local record store. He picked this one from the racks, I opted for Stillborn “Permanent Solution” LP and we made cassette copies of the other vinyl the following weekend. While I was enjoying mine I instantly preferred his find. The music was young and raw. Slow and heavy then prone to unexpected bursts of speed. But it was underpinned with melancholy. Honest and very human. In the midst of Death and Black melee of the early to mid ’90s, it was a breath of fresh air. Doom proclaimed the large round sticker! Doom that recalled the roots Heavy Metal and Thrash. Combined with that alternative pointy logo on the insert, photos of a very young band and the thoughtful lyrics it made a deep impression. Over the years, I tried to buy or trade it from my friend. He never would let it go. In fact, I’m not sure he actually ever said no. My request simply met with silence. Later still, if memory serves me correctly, Oli Richling, the Doom Dealer, bought old warehouse stock from Rise Above included this long sought for record. As I was flying to Doom Shall Rise that spring of 2004 and he agreed to keep a copy aside for me to purchase at the festival. Needless up say, I was very happy walking down the Chapel steps with it in my hands again. A formative album from my youth and a band whose sixth record (only their second on vinyl) I would release the following decade.

revelation LP

You have been running Pariah Child for a long time. Please tell us about your label!
Label? I still find it strange that some think of Pariah Child in that way. First and foremost, it remains a zine. It evolved from my previous publication, Abandon All Hope. My motivation had been to hold the breach where printed zines proudly stoodin the ‘90s. I missed Reflections of Doom, Isten, Fitted Kitchens of the Living Damned and Steel Conjuring. I missed the detail, the wit and the enthusiasm. With the turning tide of the internet, communication became much easier although nothing, to this day, really replaces holding a tome in your hands. My focus was my tastes and space was not for sale as many of those who asked at the time will recall. I printed two issues under both names and circulated 1,500 copies worldwide. But the weight of handling everything alone as Pariah Child took its toll in the wake of real life. In 2009, after a silence of three years, I penned another issue, which I considered to be my fourth, after an earlier version was partially shelved and printed elsewhere. Two or three attempts to have it designed by those more able than me came to nothing so it gathered dust. A lot of dust. Then eventually a newly-forged alliance with Hell Bent For Metal under the banner of Masters of the Pit resurrected that old ghost two years ago. Spurred on, we joined forces again and we printed a brand new issue in October. If you still crave real zines, it’s 80 A5 pages crammed with lively features on varied bands such as Queen Elephantine, The Hounds of Hasselvander, Rise And Shine, The Black, The Story of Death SS Part Two and Brad Moore (Argus artist) amongst much more.

In a bid to spread the zine further and to champion the bands included in its pages, a small mailorder evolved organically around it. Very limited copies of demos, singles and albums.Ten to twelve years ago, long before YouTube or Bandcamp was taken for granted, with all manner of music only a click away, I found the underground community very willing to try what was presented almost regardless of the format or style if quality was guaranteed.Then there have been a few bands for whom I have gone that extra mile again. Eight Hands For Kali, was the first. They gave me permission to press copies of their independent EPs, “Mount Meru” and “Himalayan Necromantia” in 2005 and 2007 respectively. I manufactured 200 copies each, both of which were well received, sold quickly and requests still come for them. In 2009, when I began writing the zine again, I finally took the plunge to press vinyl when Gnod welcomed the opportunity to co-release their debut album with Pariah Child. Since then, I have pressed another five vinyl, some as co-releases, some alone, with Oresund Space Collective, Heathendom, Argus, Revelation and Second Grave. My focus has always been living bands regardless of their style. Even on paper, they are quite an eclectic horde. Earlier in the winter, the Yoshiwara Collective and Pariah Child also sent the latest album by Ogre into production as a special LP and 7” single set. This is my boldest project to date and genuinely hope it will help earn the band the higher profile they deserve when released early February 2015. While I have always favoured print media and analogue pressings, earlier this year Pariah Child took its first step into the present! I have begun to compile an archive of my written material and releases via http://www.pariahchild.co.uk so those that missed the original issues can dip into what I hope remain intriguing historical testimonies. This is really only a hint of what will come as the vaults are deep and will be gradually supplemented with new features. Of course there are some choice items for sale too although I must stress that they are not always brand new. This is not motivated as a commercial venture and I have no interest in distributing all and sundry. Instead there is a small tried and tested selection that often goes back decades because those albums made an impression and remain vital. It may often follow that I have also already written about them or will do in future. So when you think of Pariah Child, please remember it is not just another label flooding the market with an endless string of re-releases or young hip hopefuls. It is a much more personal affair that moves at my own slow pace. There has been a small yet loyal following over the years, forever cyclic, as some fall off the edge of the world only to be replaced by new faces. But each and every letter and purchase has been greatly appreciated.

And finally, what do you see in the future of record collecting?
Given the vast number of new titles and rereleases currently being pressed, month on month, it will be very interesting to see what happens when demand takes a dip. And it will. There is no hope in trying to keep pace with the machine. I have already seen quite a few people building up collections only to give up and flog the lot for whatever reasons they might have! It will do no harm to see the death of a raft of greedy labels too. We all need a little time to step back and review what music really matters. Record collecting should be about cherishing the music you love. A collection should be living and breathing. Cut the dead wood. There is no point hogging unnecessary titles. As people move on or ultimately die, plenty of titles, good and bad, should come back into circulation for more reasonable prices as tastes of the time shift. But classics will remain classics, and sure, pockets of avid collectors will remain everywhere. What intrigues me is which albums will be considered classics in ten or twenty years from now.

Week 6, 2014: Jon, Norway

ImageWhat unites us is the fascination of music, and collecting. Please tell us your story!
Well, I guess my story is pretty ordinary, when I grow up I was heavily inspired by my older brother and was basically into what he was into, that way I got a free entrance into the heavy rock world of the ’70ies and I was introduced to bands like SCORPIONS, MOTT THE HOOPLE, THIN LIZZY, UFO, KISS and the usual suspects. As I grow older I started to pick up things on my own and developed my own musical taste and at a very early age I was totally mind blown by the music world.. I guess I always been into the escapism and always trying to create my own world starting with comic books and then of course the total obsession with music…..I started of buying tapes and didn’t get a record player until ’83 or so when I started to buy vinyl. I wouldn’t say those early years I was collecting but I guess I was in a way anyway. I just wanted records and bought them whenever I could and by the end of the ’80ies I started to realize I probably had more records than my friends. I still have a bit of a problem with the term collector and I been fighting with myself a lot concerning that term. I do love records because of the music they give me and that adds life quality to me. So generally it is all about enjoying the music. But of course, I do collect too and there is a lot of albums I owe several versions of – simply because they are so good that I have the urge to own multiple different versions of certain albums.

Do you remember your first purchase, and what was that?
In the beginning I bought tapes and I can’t really remember what was first, I had stuff like JUDAS PRIEST, BLACK SABBATH, THIN LIZZY and so on as well as I recorded a lot of stuff from my brothers collection. When I finally got my record player I got a bunch of records at the same time so what vinyl was first is hard to say. I do like to think it was Welcome to Hell and Black Metal by VENOM just to be on the cool side of things 🙂

ImageYou’ve done Slayer Magazine for years… Did you ever keep in touch with those old penpals from the mid 80’s, and what happened to the majority of the people?
Some I keep in touch with and some have mysteriously disappeared from the surface of earth….But, I was probably one of the guys that wrote too many letters during that era so I’m sure there is a lot I forgot about as well….But now, with the Internet so many faces from the old disappear and even if there is people I don’t talk to so much anymore it is nice to see that they are still around. It works the other way too, people I never talked to so much back then I talk more frequently now.

Being a vivid role of the Norwegian metal scene since 30 years, how have the scene progressed from the mid 80’s?
Back in the ’80es we only had a very few Metal bands here, not like Sweden who always had a very healthy music scene, I still discover ‘unknown’ (to me at least) Swedish Metal bands from the ’80ies. We had TNT of course, ARTCH and a few others and then MAYHEM killed everything when they released “Deathcrush” in ’87. Then after a few years everything exploded here with all the Black Metal stuff…..some of it was good….not everything……. Now it is like a million of bands (not only in Norway) and I’m sure there are some good ones here and there. I wouldn’t say the Norwegian is better or worse than anywhere else but when you think of how small this shitty country is the amount of bands are plentiful.

ImageAre you one of those who only buy “old” music, or still keeping up with today’s groups & artists?
Even if I do think like that at times it is a very stupid way of thinking. Granted that a lot of my fave stuff was released back in the day and that magic can never be re-created. But it is like those bastards that are even older than me that claims that nothing good has been released since the last BEATLES or something…..It is a stupid attitude even if I do think like that at times too. But I do luckily buy a lot of new stuff too, I’m sure I could dig deeper as far as new bands goes but….Now, this spring of 2014 I’m looking forward to the releases of TRIPTYKON, MAYHEM, THE OATH and several others, oh yeah, and there is a new SWANS album coming too and I like the new LP by KARI RUESLÅTTEN a lot. It is pretty easy to keep track of what is coming now in this Internet age. I also buy a lot of re-releases of my fave records, and I must mention the label HIGH ROLLER here. They do great re issues as well as new releases and always having fair prices. I think it is nice to support some active labels too instead of just buying 2nd hand rarities from private sellers. You need to support the labels too so our beloved vinyl can stay alive. Anyway, I think it is kinda important to have something to look forward to in the future instead of thinking all the great stuff has already been released. That is some sort of life motivation too, there should always be better thing in the future…..hopefully but probably not.

How do you discover new music?
Just browsing on the Internet have helped me discover a lot of new stuff but my fave bands have always been my fave bands and it have been easy to follow them even without the Internet. When there are artists you genuinely love you follow them and you know when they have some new stuff available. Not to kiss the RECORD HEAVEN ass completely but I always find it nice when you give some sort of short description to the new releases you n have in stock, that is always very helpful to me. I love a lot of the prog stuff of yesterdays with a heavier edge but my knowledge about all these bands is seriously lacking at times. And if there is something I might be interested in it is pretty easy to find a clip here or there, and if I find it interesting I try to get the vinyl.

Personally, I threw away loads of letters and demos 20 years ago from the fanzine era. Did you save all those memories?
Same here, a lot of it is gone but I kept some, mostly letters. I have them in some boxes here and there. A lot of the stuff I had got lost in some flood I had years ago so…..And, I sold traded a lot of the demos too but I kept a few. I just like hanging on to some of those things, it is not like I sit down and read the old letters. It is more thast I like the idea of having that as a representation of an era in my life. We really did have an unique time back then so I’m very happy I could be so active in this exciting life. Now a lot of those demos have been re-released so it is nice to get that too on a proper format to replace old rotten and lost tapes. One of my prized possessions in the demo world is the HELLHAMMER “Satanic Rites” demo which was send to my old ‘zine LIVE WIRE back in 1983 – by Tom Warrior himself.

ImageYou seem to have a broad taste in music, as long as it is obscure and unknown, how do you see your musical taste yourself?
I guess that is a way of putting it but I never really thought of it like that. But I do find more pleasure in finding the more obscure but compared to others I guess what I listen to is pretty mainstream…… But, it is easier to get sick of the classics and I just go for different stuff. Surely I have a lot of mainstream things in my collection from IRON MAIDEN to KATE BUSH but most likely most of it is the lesser known. I’m always curios about the lesser known bands and it is always nice to dig out records from the strangest of places…..I always been like that, back in the demo days I always preferred the demo bands to most records. It was just my kinda thinking, and I much rather listen to GOTHAM CITY or OVERDRIVE than SAXON for instance……..I have a lot of different angles of my records, I got all the extreme Metal classic stuff of the ’80ies, a lot of Swedish Metal of the same era……I like prog but I like it to have a heavier edge, the Norwegian HØST and the Swedish NOVEMBER is a great example of that. And I love things that are completely out there like COMUS for instance. I like some of the folk bands too like INCREDIBLE STRING BAND which I always thought had a very disturbing vibe to them which I loved. South American extreme Metal bands is also something I love very much. And more alternative bands like SWANS, DEAD CAN DANCE, COCTEAU TWINS, THIS MORTAL COIL, LAIBACH and many others. I’m always curios to find something unknown that will blow my brain.

Please let us know 3 records that will follow you into the grave.
Well, I chose 3 of 3 different styles to better give an description of who I am and what I’m all about. 1. I have to say the 1st BATHORY (We pick the yellow goat then) as that pretty much sums up my life in the Metal underground and represents all I am about, still one of my faves. 2. SWANS – “Filth”, this album made me discover there is a different kind of heaviness outside of Metal. This band led me to discover a lot of interesting acts. 2. HØST – “På Sterke Vinger”, this was a album I picked up randomly where I live in a then newly open 2bd hand store. This was in the early ’90ies and I paid around 5 bucks for it and even at that time that was a bargain and probably the best buy I done like that. A bit later I bought their 2nd LP “Hardt Mot Hardt” and the price was about 150 bucks – still worth it. With the first HØST LP I discovered the more prog/heavy side of music. So, those 3 albums are important to me simply because they are as good as they are.

ImageSo where is the place to buy records that nobody else know about then ?
I think it is called the Internet…..haha…..I really don’t know any secret places or anything. These days everyone seems to have a good knowledge about the records and their value so it is hard to make some scores….And I really don’t mind, if the price is OK for me I get what I want……I don’t invest in records for money value, more for listening pleasure.

Do you see a future in record collecting ? I personally think few ones join the club, and it is mostly the old freaks keeping the trade going…
I see a future in listening to my records. What will happen next is always hard to say but I know I will enjoy my records for a very long time. I gone through a few different phases with my collecting…… I buy a lot and I sell a lot so for the last years that balance have worked out fairly good. I like getting rid of things a few times a year, it is sort of like having a garden, you have to treat it well and from time to time you need to get rid of the weed. I think that is pretty healthy and that keeps your record collection more happy. All in all, music might be the greatest gift given to us but once in a while it is nice to do other things too. I sell records to finance travelling for instance (but when I travel I end up buying more records anyway so…..) Nice to add some life experience too. I think in every musical underground people will be interested in buying records, not only us old bastards. Now I see labels like NUCLEAR BLAST do tons and tons of stuff on colored vinyl, I think for the last CARCASS it is now between 30 and 40 versions to pick from. Maybe that is stupid for most people but it keeps vinyl out there and I would assume most people buying those are slightly younger people. I think that is the difference now, there are always several versions to pick from (At least in the metal world) and people are more eager to get the most limited releases. Back in the day I was not worried about things like that but just being happy having one version…….I do think people now are buying more color versions of the same album. All in all, people will get into it and people will fall out….I think the demand for vinyl will be there in one way or another. They tried to kill vinyl once with the CD but that didn’t work so……….I think it will always be there. And if for some reason the vinyl will stopped being made there is always the used stuff. It will never end…….

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Week 2, 2014: Jan, Sweden

ImageWhat made you start collecting records?
What made me a record collector? Well, I´ve been interested in hard rock since I was 11 years old. Boys like to collect things. If I heard a really good record, I found out if the band had made more records. Then I bought those other records and that was when the collecting really begun. I must say that I mainly collect albums. I only collect singles by a few bands.

Do you remember your first purchase?
My first purchase was Sweet Fanny Adams by the Sweet, and later I bought all their singles.

What music do you mainly focus on?
I mainly focus on metal and hard rock. From classic hard rock like Black Sabbath and Deep Purple to the Thrash/Heavy/Death/Doom-bands of today. I can´t live with owning ten albums of a really good band if they´ve made twelve albums. I must have the other two. That can be really hard if the records (LP or CD) are out of print and the group in question isn´t a major worldwide band. 🙂 But that is also what´s so fun with being a record collector. Sometimes (very often actually) the chase is better than the catch! 😉
 
How do you discover new music?
I discover new music by reading music magazines, the internet and by visiting great web record stores like RECORD HEAVEN. Also through friends.
 
I remember writing with Boden band MANINNYA BLADE in the 80’s. Are those guys still around ??
Maninnya Blade? Those guys are really good friends of mine. I´m a bass player since the age of 15 and I have played in many bands. I was a roadie for Maninnya Blade in the 80´s and I played the bass for them on a reunion festival-tour in 2002. I also recorded three new songs with the guys in 2007. I actually had the privelige to write the music for one of those songs. Those three songs can be found on the internet under the title “Tools of Destruction”. It was Nick and Jerry on the guitars, Leif on lead vocals from the old line-up, and me on bass and a new drummer. I´ve also been a member of Slowgate together with Nick for nine years, and we recorded a couple of albums. Nowadays I play the bass in thrashers Predatory and we are working on our first album!

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You seem to like the 80’s metal scene. Do you see any difference in the old bands compared to the new coming ? Many bands are taking their influences from the 80’s, and in my opinion, many do it very good as well !
Many of the bands of today are so influenced by the bands of the 80´s like Judas Priest, Iron Maiden, Accept… The NWOBHM was so important. The thrash scene comes from Metallica and the whole Bay Area Scene. The new bands take a little piece of influence from every era in metal.
 
Where do you prefer to buy your records?
I mostly buy my records from internet record stores. I also buy a lot when I´m visiting hard rock festivals.

And finally: what do you see in the future of record collecting?
I think that in the future, there will be less people collecting records. The fifteen year-old kids of today generally doesn’t buy records at all. But I think there will be a lot of record collectors anyway, but not as many as it used to be.